tutorial DECEMBER 5, 2000

Exploring Synthetik Studio Artist
Part 1: brush interaction through paint fill algorithms

by David Nagel
Executive Producer
dnagel@digitalmedianet.com

This week we're kicking off a series on Synthetik Studio Artist 1.5. If you haven't taken a look at this program yet, do. It's probably the best paint program—for lack of a better phrase—on the market right now. And, what's more, it's only available on the Mac, which is great for those of us who like to rub it in the noses of the peecee users.

Studio Artist actually comprises several functions in addition to painting and drawing, such as rotoscoping and morphing, but for this series we'll focus exclusively on still art. Each installment in this series will take a look at an individual parameter in the program's Paint Synthesizer, as well as the occasional investigation of Image Operations and Interactive Warps.

To start things off, I thought I'd dive into the thing that first got me interested in Studio Artist, namely the ways in which Paint Patches interact on the canvas. "Paint Patch," for those of you unfamiliar, is another way of saying "brush," except, in the case of Studio Artist, it means a lot more, the actual "brush" being only one element out of many that make up the process of applying color onto the canvas. By analogy, you can think of a brush in Photoshop as a sort of limited paint patch because it uses color, brush shape, opacity, apply mode and a few other factors that you generally take for granted because you probably don't do all that much painting in Photoshop. In Studio Artist, there are literally hundreds of parameters—sliders, numeric entry fields, pull-down menus, etc.—that can be tweaked for creating an infinite variety of effects. Take a look at the movie below to get an idea of what I'm trying to get across.

You can see that what's happening here is quite sophisticated. Color's not only pouring out onto my tiny canvas, but it's also interacting with the colors that were applied earlier. This particular Paint Patch uses pressure input from my Wacom tablet to determine the size of the area affected, as well as the amount of interaction between the colors. The more pressure I apply, the more area I cover up. With less pressure, I cover a smaller area and create more of a blending (or bleeding) effect.

The Paint Patch I used for this is one of the hundreds of presets that ship with Studio Artist. I used it only because it's one of the few Patches relevant to this discussion whose strokes I can record as a movie while I paint. But it's easy enough to create this "blending" effect in any homegrown Patches you feel like creating.

Whether you're starting with a fresh Paint Patch or simply modifying an existing Patch, you can add this blending effect and several variations on blending just by adjusting a single parameter in the Paint Synthesizer. In your tool palette on the left, switch from Presets to Paint Synthesizer using the pull-down menu next to the Action button. Now, right below this pull-down menu, you'll see another menu labeled "Parameters." From this menu, select "Paint Fill." You'll see the setting "Algorithm" near the center of the palette. It's probably set to "Apply." (See below, left.) To add some blending, simply choose one of the other options listed in the Algorithm menu. (See below, right.)

Typically, "Mix Apply / Displace Out" will give you the setting you want, particularly if you'd like to use a neutral color to achieve the effect of a wash over a dry chalk or charcoal Patch. Of course, each setting in Studio Artist is affected by a number of other settings, but, in general, the following are true of the Algorithm settings in the Paint Synthesizer:

Apply simply lets you draw one Patch over another, without a mingling of colors. Certain other parameters in the Paint Synthesizer will allow colors to mingle, but not in the same way.

Path Displace Out will allow you to nudge areas on your canvas without applying new color to the canvas, kind of like the Smudge tool in Adobe Photoshop.

Path Displace In takes pieces of color from your canvas and pushes them together. A few strokes can create a spotty effect, while lengthy strokes will average the two colors together.

Mix Apply / Displace Out, as stated earlier, will add color from your source (depending on your color setting), push and pull the colors on your canvas and start to blend them together.

Brush Displace might have no effect at all, depending on the rest of your parameter settings. But for certain brushes, it will create a displacement effect based on the brush. The final result is dependent heavily upon other parameters, but, when it does work, it produces striations with some noise mixed in.

Mix Apply / Brush Displace can also have some strange effects. Like Brush Displace, it creates striation effects, but it also mixes in your source color. It works great with certain Paint Patches, but, with others, it just creates blotches.

So there's a quick look at Algorithms in the Paint Fill parameter. There are other ways for strokes to interact on the canvas, and we'll look at these and other functions in future installments.

Be sure to stay tuned for further installments in this series. In the meantime, check out our Studio Artist user/support forum at http://216.246.51.202/forums/studio-artist/index.htm. We also have some Paint Patches available for download at our sister site, Creative Mac: http://www.creativemac.com/downloads/downloads.htm. Creative Mac also has a few specific tutorials on Studio Artists for more advanced users, including some work on motion graphics in the program. Visit http://www.creativemac.com, and click on the "Tutorials" button in the left menu.


Dave Nagel is the producer of Creative Mac and Digital Media Designer; host of the Creative Mac, Adobe InDesign, Adobe LiveMotion and Synthetik Studio Artist WWUGs; and executive producer of Creative Mac, Digital Media Designer, Digital Pro Sound, Digital Webcast, Plug-in Central, Presentation Master, ProAudio.net and Video Systems sites. All are part of the Digital Media Net family of online industry hubs.


tutorials 2000