sin(src(cnv(ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(6)),
cnv(ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(7)),0))
Remember
the extra parentheses at the beginning and end. Now, I don't
particularly like the way this makes the image look. So the
other way you can do this is to take your expression and insert
sin (or cos or tan) functions throughout it. We could do it:
src(sin(cnv(ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(6))),
sin(cnv(ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(7))),0)
or we could
place the functions randomly throughout the expression, remembering
to use parentheses properly, as in:
src(cnv(sin(ctl(0)),cos(ctl(0)),tan(ctl(0)),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(0),ctl(6)),
cnv(ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(1),ctl(7)),0)
You can
see examples of the effects below.
Three
ways to apply a sin function to a convolve function.
One important
thing to keep in mind is that the Filter Factory preview is
not too terribly likely to represent the final look of your
image. You might see some great banding and noise effects in
the preview, only to come up with flat posterization when you
apply the filter. There's really no way to say when it's going
to be accurate, so you'll need a little extra patience to get
just the right look. Now, once you've created your filter, as
I showed you in Part 1, your previews will become much more
accurate.