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Post Processing in Studio Artist
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4. The next
step is probably unnecessary, but I wanted to add a little edge.
So I used an outlining pencil, let it run for about a second,
and then stopped it. In the end, the outline will not be visible,
but this addition of a dark gray will provide almost an edge shadow
to the image.

This is the
"Edge Autodraw" preset in the Pencils category. I applied
it for a little less than a second.
5. The next
step just involves bringing in a little more color and texture
to my image. I'm applying a rough style (download here)
just to the subject using, as before, the WhiteCanvasProbErr setting
under Path Application. I let it run about four seconds.

6. Next I'm
using the same Paint Patch, but I'm applying it across the entire
canvas. While my primary concern is the final appearance of my
subject, I also didn't want to neglect the background. In this
case, my background is white, so I just wanted to add a little
texture. Since you're using the same preset as in the previous
step, make sure you set the Prob back to Pressure.

7. Now, here's
the part that I think makes this particular example less sophisticated
than the other example. I was losing too much definition in my
image, and I wanted to bring some back. So I used a modified version
of the "A Thin Colored Pencil" in the Pencils category.
I modified it by changing the Path Type (found in the Path Shape
palette) from "Curved" to "Spiral Ellipse."

This obviously
brings in a lot more definition to the image, and it also muddies
it up.
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